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For yoga studios, pilates and meditation centres

The schedule that fills
your 11am class

A new student walks in, looks at the handwritten cork board and doesn't know if vinyasa suits them or is too advanced. Instead of pinned paper, the screen shows the 11am class with free spots, which style fits them and the 10-class pass that's worth it. They book that week. You move a class from your phone and the screen updates itself.

First screen free forever · No card · Offline 48 h

VINYASA · 11:00

Intermediate · with Sarah · 4 spots left

Changed from the phone

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What you put on screen
from day one

Ready-made templates for the neighbourhood studio and the multi-room centre with several teachers.

01

The weekly schedule, always current

The full week grid with class name, teacher, level and free spots. When Emma swaps her Tuesday shift or you add a last-minute yin session, you push it from your phone and the screen updates in 2-3 seconds. No more cork board with crossed-out slots.

02

The styles explained

Vinyasa, hatha, yin, mat pilates and meditation — described in one sentence: who it's for and what you feel when you walk out. The person who hesitates at the door because they don't know if a class is too hard finally tries something new. That's what fills the quieter slots.

03

Passes, membership and challenges

The 10-class pass, the monthly membership and the upcoming challenges (21-day challenge, breathwork workshop). You turn the drop-in visitor into a regular student, which fills the studio month after month rather than depending on word-of-mouth alone.

04

Calming ambiance + teacher intros and reviews

Images that slow the pace at reception, a short bio for each teacher and your real reviews. In the studio room — before and after class, never during — a quote or a visual that sets the tone. Students arrive already in the right headspace and know whose class they're about to take.

The plan your
studio needs

Small studio with 1 screen at reception: Starter €9/mo. Studio with a reception screen plus a room screen: Pro €19/mo (3 screens, the most popular). Larger centre with several rooms: Business €59/mo. Multi-site studio group: Network €199/mo. All with a 14-day trial, no card.

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Where the screen goes
in the yoga studio

A yoga studio fills the classes and retains with membership. Each screen works a part, without breaking the calm of the place.

Reception

The week's grid with the class, the teacher, the level and the spots left. Seeing the schedule clear with today's openings makes the student book the 11am class that was half empty, and it settles the questions at reception.

Info area

The styles explained in a line: vinyasa, hatha, yin, mat pilates, meditation, what each one is for. The one who has never done yoga does not sign up for "vinyasa" if they do not know what it is; explaining it lowers the barrier to the first class.

Passes area

The 10-class pass, the monthly membership and the challenges — the 21-day challenge, the weekend workshop. It is where the student moves from the drop-in class to the commitment, which is what gives the studio stability.

Practice room

An atmosphere that lowers the pace before starting, the introduction of each teacher and your reviews. Calming images at reception and in the room prepare the student for the practice without breaking the studio's atmosphere.

Shelf in a yoga studio with three rolled mats, folded blankets beside them and meditation bolsters on the rack below
Once someone is barefoot they are no longer holding a phone. Whatever they need to read has to be on the wall.

Fill the quiet classes,
and retain with membership

A yoga studio lives on full classes, on capturing the one who has never tried and on turning the drop-in into membership. The screen works all three.

The schedule with free spots fills the quiet classes. A class at half capacity is lost income and worse energy in the room. Showing the week's schedule with today's free spots makes the student book the 11am opening that was empty, and fills the quiet slots with the people already in the studio. Seeing the schedule clear also takes the load off reception repeating what time each class is.

Explaining the styles captures the one who has never tried. A yoga studio's main brake is the one who wants to start but does not know where: they will not sign up for "vinyasa" or "yin" if they do not know what they are or which suits them. Explaining each style in a line — what it is for, who it is for — lowers the barrier to the first class and turns the curious into a trial student, the first step towards the pass and the membership.

The pass and the membership turn the drop-in into commitment. The student who only comes now and then leaves little and is easily lost; the one who buys the pass or the membership commits and stays. Showing the 10-class pass, the monthly membership and the challenges — the 21-day one builds community and habit — pushes that conversion, which is what gives a studio's books stability and forecast.

To be straight with you: the class booking stays in your software (Bsport, Momoyoga, Mindbody). The screen shows the schedule, the spots, the styles and the passes you upload, and the student books through your channel; we do not handle the booking itself. Digisini is the screen layer that fills the classes and communicates the passes, without breaking the studio's calm.

The people who could fill the eleven o'clock
are standing in your corridor with no phone on them

A studio lives on how full each class is, and a class with three people costs the same as a class with eighteen. The cheapest way to fill the next one is not an app notification — it is the person already in the building, between classes, barefoot, with everything they own in a locker.

That last detail is the whole point and it is easy to miss. From the moment the shoes come off there are no pockets. Anything that needs a phone — checking the grid, scanning a code, booking the next one, paying for the pass — is out of reach for exactly the stretch of time when the person is most likely to say yes.

  • The next two classes, with places left, in the corridor. Not the whole week's grid: the next two. Somebody who has just finished and feels good is deciding about Thursday right now, and the answer has to be readable without going back to the locker.
  • What each style is for, where the beginner walks past. Nobody books «vinyasa» if they do not know what it is, and the person least likely to ask is the one who most needs to. One line each, in the corridor rather than in a leaflet.
  • And what to do if you have never done this. Where to leave shoes, whether mats are provided, how early to arrive, what happens if you cannot do a pose. It is the entire content of the first-timer's anxiety, and it is never written down anywhere.

The constraint on all of it is that the silence is the product. Nothing that beeps, nothing that moves, no bright rectangle in a room where people are lying on the floor with their eyes closed. Which in practice means the wall belongs to the corridor and the changing area, and the practice room gets nothing at all — not a calmer version of the same thing, nothing.

And one thing worth leaving off entirely, because it costs more than it brings: challenges framed around bodies or weight. A studio's most loyal members are frequently the ones who came to get away from exactly that. It is the fastest way to lose the people who already decided to stay — and they are the ones filling the eleven o'clock.

Common questions
from teachers and studio owners

The weekly class schedule with teacher, level and free spots; the styles explained (vinyasa, hatha, yin, mat pilates, meditation — who it's for and what you feel after); passes and monthly membership; challenges and workshops (21-day challenge, breathwork workshop); calming visuals and teacher intros at reception; and your real reviews. You change everything from your phone in seconds — the moment you move a class or swap a teacher.
Yes. Any Smart TV with a browser (recent Samsung Tizen, LG webOS, Android TV) works directly. If the set is older, a Fire Stick or Chromecast (~€30) turns it into a digital screen. Setup: connect the TV, open Digisini in the browser, enter the 6-digit PIN. 5 minutes per screen.
Yes. Each screen has its own content and schedule. The reception screen shows the timetable, style descriptions and passes — everything a new student sees when they walk in. The studio screen (before and after class, never during) shows calming images, a quote of the day or the upcoming workshop. Both are independent and editable from your phone.
Native integration with your booking software isn't included today — you update the schedule, styles and passes by hand from your phone (10 seconds per change). On Business or above, we can discuss custom integration via API. For a studio with a stable weekly timetable, managing from your phone is usually quicker than syncing.
Small studio with 1 screen at reception: Starter plan €9/mo. Studio with a reception screen plus a room screen: Pro plan €19/mo (3 screens, the most popular). Larger centre with several rooms: Business plan €59/mo. Multi-site studio group: Network plan €199/mo (50 screens, one account per studio). See all plans.
Yes. The player caches up to 48 hours of content. If the studio WiFi drops mid-morning, the screens keep showing the schedule, style descriptions and passes without cutting out. When the connection returns, it syncs only the latest changes.
No. Cancel whenever you want, no penalty. 14-day trial on paid plans, no card. Permanent Free plan: 1 screen with a Digisini watermark and 5% of slots for partner ads. Whenever you want to remove them, move to Starter for €9/mo.
Yes, and it recovers income you were losing. A class at half capacity is lost income and worse energy in the room; showing the week's schedule with today's free spots makes the student book the 11am opening that was empty, and fills the quiet slots with people already in the studio. Seeing the schedule clear also takes the load off reception repeating what time each class is, and you update the grid from your phone as bookings move.
A lot, because the beginner is a studio's hardest capture. The one who wants to start will not sign up for "vinyasa" or "yin" if they do not know what they are or which suits them. Explaining each style in a line — what it is for, who it is for — lowers the barrier to the first class and turns the curious into a trial student, which is the first step towards the pass and the membership. It captures exactly the audience that would otherwise walk past unsure.
Yes, and it is what gives the books stability. The student who only comes now and then leaves little and is easily lost; the one who buys the 10-class pass or the monthly membership commits and stays. Showing the passes, the membership and the challenges — the 21-day one builds community and habit — pushes that conversion from drop-in to commitment, which is the recurring income a studio needs to forecast. You keep it in view without a receptionist having to pitch it every time.

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